Audiophiles = jobs.  Let’s consider that for just a moment.

Obviously, audiophiles buy music, which helps to support those that sell it, as well as the artists, recording engineers, mastering engineers, and other people working for studios, as well as the people that create and sell all of the equipment, accessories, and software involved in the recording process. There are also people involved in producing physical media (vinyl, tape, CD/SACD, etc.), people working for streaming providers, and people working for companies that create the software programs many audiophiles use to play their music and manage digital libraries.

Audiophiles buy equipment.  A tremendous number of people are involved in bringing speakers, amplifiers, DACs, power conditioners, headphones, tape decks, receivers, turntables, etc. to market.  All that equipment requires parts, including the cases that most of those things come in, the connectors, knobs, switches, and all of the electronic components inside.

Audiophiles also tend to buy accessories and room treatments, or sometimes the supplies to make their own.  These include cables, interconnects, power cords, noise isolation devices, diffusers, baffles, bass traps, etc.   They buy furniture.  Cabinets, racks, and stands for equipment are sold, as are chairs and other seating.

Most audiophiles take a DIY approach to their listening space, however, some work with consultants and/or design firms in an effort to achieve the best possible listening experience.  Electricians install additional outlets, upgrade wiring and electrical panels, and install dedicated circuits for audiophile systems.  Contractors may be brought in to make improvements such as removing a wall to have a bigger space, angling/sloping walls, installing cable chases/conduits, built-in storage, etc.

Audio shows, some of which are very large, are conducted in several countries.  Attendees and vendors, which come from all over the world, require transportation and lodging, as well as food and drink.  Display areas at the venues must be both set up and broken down, and things are cleaned before and after the show.  Equipment is rented (such as curtain backdrops/dividers), signs and marketing materials are printed, and a huge number of items get shipped to and from the venues.

Let’s not forget the media.  Products and music are reviewed regularly, and the various aspects of audio are explored and discussed at length in print magazines and online zines, as well as in blogs and forums.

All of these things and more translate to jobs.

Audiophiles deserve appreciation.  Their passion for audio helps to financially support individuals and families around the world.